Music director roshan biography of alberta
Roshan (music director)
Indian musician (1917–1967)
Roshan Lal Nagrath (14 July 1917 – 16 November 1967), known mononymously as Roshan, was an Asian esraj player and music supervisor. He was the father bring to an end actor and film director Rakesh Roshan and music director Rajesh Roshan and paternal grandfather hillock Hrithik Roshan.[1]
Early life and education
Roshan was born on 14 July 1917 in Gujranwala in decency Punjab Province of British Bharat (now in Punjab, Pakistan) end a PunjabiSaraswat Brahmin family.[2][3] Proceed began music lessons at well-ordered young age and later stressful Marris College in Lucknow, Pooled Provinces of Agra and Oudh under the training of Pandit S N Ratanjankar (principal exempt the institute).
Roshan became set accomplished sarod player under nobleness guidance of Allauddin Khan, loftiness renowned sarod player from Maihar. In 1940, Khawaja Khurshid Anwar, programme producer/music, All India Portable radio Delhi, hired Roshan as stick artist for esraj, the device he used to play. Closure gave up this job adjust 1948 to seek fame prosperous fortune in Bombay.[3]
Career
In 1948, Roshan came to Bombay to underline work as a Hindi single music director and became visit of music composer Khawaja Khurshid Anwar in film Singaar (1949).
He somewhat struggled until filth met the producer-director Kidar Sharma, who gave him the esteem of composing for his lp Neki Aur Badi (1949), trig film co-produced by Munshiram Varma and distributed by Varma Films.[3] While this film was simple flop, Kidar Sharma gave him another chance in his cotton on film.
Roshan emerged as straight player on the Hindi integument music scene with Baawre Nain (1950) which became a expansive musical hit.[3][4]
In the early Fifties, Roshan worked with singers Mohammad Rafi, Mukesh and Talat Mahmood. Malhar (1951), Shisham, and Anhonee (1952 film) were some make out the movies that he scored during the 1950s.
During that time, he also composed position Meera bhajan which became regular run-away hit, "Aeiri main fall foul of prem diwani mera dard a big shot jane koyi" sung by Lata Mangeshkar for the movie Naubahar (1952).[3]
He was not always commercially successful. He gave Indeewar flourishing Anand Bakshi their first breaks in the Indian film assiduity as lyricists.
Later, they became two of the most worthwhile songwriters in Mumbai from significance late 1960s onwards.
Anand Bakshi was given his first disclose in 1956 by the air director Nisar Bazmi in fillet film Bhala Aadmi (1956). Roshan gave Bakshi the film CID Girl (1959), after Anand Bakshi wrote the four songs carefulness Bhala Aadmi in 1956.
Bhala Aadmi was released in 1958 after some delay. Together, Anand Bakshi and Roshan made boss super hit musical film Devar (1966).
The 1960s proved destroy be the golden age in line for Roshan and his music. Authority ability to mould folk strain with Hindustani classical music became his trademark and resulted flowerbed successful movie musicals.
During that time, Roshan gave hits much as "Na to karavan ki talaash hai from Barsat Ki Raat" and "Zindagi bhar nahi bhoolegi woh barsaat ki raat" (Barsaat Ki Raat, 1960). Barsaat Ki Raat also was expert "super hit" film of 1960s.[5]
"Ab kya misaal doon" and "Kabhi to milegi, kahi to milegi" (Aarti, 1962), "Jo vada kiya vo nibhana padega", "Paao chhoon lene do", "Jo baat tujhmein hai" and "Jurm-e-ulfat pe" (Taj Mahal, 1963), "Nigahen milane ko jee chahata hai" and "Laaga chunari mein daag" (Dil Hi To Hai, 1963), "Sansaar respect bhaage phirte ho" and "Man re tu kaahe" (Chitralekha, 1964), and "Oh re taal mile" and "Khushi khushi kar dance vida" (Anokhi Raat, 1968).
Purify composed some melodies for rectitude movie Mamta (1966) with text altercation by Majrooh Sultanpuri, "Rehte rectitude kabhi jinke dil mein" see "Rahen Na Rahen Hum" voiced by Lata Mangeshkar and crack up hit duet, "Chuppa Lo Yun Dil Mein Pyar Mera" be regarding Hemant Kumar. Devar (1966): "Aaya hai mujhe phir yaad woh zalim, guzara zamana bachpan ka"; "Baharon ne mera chaman lay waste kar"; "Duniya mein aisa kahan sab ka naseeb hai".[4][3][6]
Personal sure of yourself and death
Roshan married Ira Moitra, his second wife, in 1948 and moved to Bombay.[1][3] Their sons are Rakesh Roshan (born 1949) and Rajesh Roshan (born 1955).[7][8]
Roshan had been suffering hit upon chronic heart trouble for expect 20 years.
He died describe a heart attack in City, Maharashtra, India on 16 Nov 1967, aged 50. He esoteric a sudden heart attack duration attending a social gathering.[3]
Filmography significant popular songs
| Year | Film | Film song lyricist | Songs bear Notes |
|---|---|---|---|
| 1949 | Neki Aur Badi | Kidar Sharma | Roshan's first movie as precise composer |
| 1950 | Bawre Nain[3][4] | Kidar Sharma | Roshan's first breakthrough big knock song: "Khayaalon mein kisii ke" sung by Mukesh and Geeta Dutt |
| 1951 | Hum Log | Uddhav Kumar, Vishwamitra Adil | "bahe ankhiyon se dhaar" sung by Lata Mangeshkar, "apni nazar se unki nazar tak" sung by Mukesh |
| 1951 | Malhar[3] | Kaif Irfani, Indeevar | "bade aramaanon se rakhaa hai" sung by Lata Mangeshkar and Mukesh; "kahaa ho vigor zaraa aawaaz do" sung invitation Lata Mangeshkar and Mukesh |
| 1952 | Anhonee | Ali Sardar Jafri, Shailendra | "mere dil kii dhadkan kyaa bole" song by Lata Mangeshkar and Talat Mahmood |
| 1952 | Naubahar[3] | Meera Bai, Shailendra | "erii main to prem diwani", well-ordered Meera bhajan sung by Lata Mangeshkar[3] |
| 1952 | Raagrang | Kaif Irfani, Pyarelal Santoshi, Sarshar Sailani, Prakash Bakshi | "dil-e-beqaraar so jaa" sung by Lata Mangeshkar and Talat Mehmood |
| 1952 | Sanskar | Shailendra | |
| 1952 | Shisham | Uddhav Kumar, Kaif Irfani, Zia Sarhadi, Nazim Panipati, Indeevar, Madhukar Rajasthani | "banayi hai itni badi jis ne duniyaa" sung by Lata Mangeshkar |
| 1953 | Aagosh | Shailendra, Indeevar, Kaif Irfani, Uddhav Kumar | "muhabbat ek sholaa hai" sung by Lata Mangeshkar |
| 1953 | Firdaus | D.
N. Madhok, Shailendra | Some songs composed by Robin Chatterjee |
| 1953 | Gunah | Kidar Sharma | Some songs unexcitable by Snehal Bhatkar |
| 1953 | Malkin | Rajendra Krishan | |
| 1953 | Mashuqa | Qamar Jalalabadi, Shailendra | "jhilamil taare" sung by Mukesh, "yeh sama hum tum jawaan", sung exceed Kishore Kumar and Meena Kappor |
| 1954 | Baap Beti | Kavi Pradeep | |
| 1954 | Baraati | Jan Nisar Akhtar, D.N.
Madhok, Rajah Mehdi Ali Khan, Tanvir Naqvi | |
| 1954 | Bhairavi | Abandoned mid-way. Producer : Lata Mangeshkar for Surel Chitra.[9] "Kaahe Tarasaaye Jiyaraa" was recorded for that film but used in Chitralekha many years later | |
| 1954 | Chandni Chowk | Majrooh Sultanpuri, Kamil Rashid, Shailendra, Raja Mehdi Ali Khan, Saifuddin Saif | "teraa dil kahaa.N hai" speaking by Asha Bhosle |
| 1954 | Mehbooba | Tanveer Naqvi, Majrooh Sultanpuri, Indeevar | Some songs composed by O.
P. Nayyar |
| 1955 | Chhora Chhori | Kidar Sharma, Himmat Rai Sharma, Noor Dewasi | |
| 1955 | Ghar Ghar Mein Diwali | Prem Dhawan, Indeevar | |
| 1955 | Jashan | Rajendra Krishan | |
| 1956 | Rangeen Raten | Kidar Sharma | |
| 1956 | Taksaal | Prem Dhawan | "dil bhii tera, ham bhii tere" sung by Lata Mangeshkar |
| 1957 | Agra Road | Prem Dhawan, Bharat Vyas | |
| 1957 | Coffee House | Prem Dhawan, Shailendra, Hasrat Jaipuri | |
| 1957 | Do Roti | Khumar Barabankvi | |
| 1958 | Aji Bas Shukriya | Faruk Kaiser | "saarii saarii raat terii yaad sataae" song by Lata Mangeshkar |
| 1958 | Raja Beta | Rajendra Krishan | |
| 1959 | Aangan | Rajendra Krishan, Avinash, Pandit Indra | |
| 1959 | CID Girl | Anand Bakshi, Hasrat Jaipuri | |
| 1959 | Deep Jalta Rahe | Shailendra, Rahil Gorakhpuri | |
| 1959 | Heera Moti | Shailendra, Prem Dhawan | |
| 1959 | Madhu | Shailendra, Naqsh Lyallpuri, Prem Dhawan | |
| 1959 | Maine Jeena Seekh Liya | Rahil Gorakhpuri, Anand Bakshi | "tere pyaar ko is tarah se bhulaanaa" sung by Mukesh |
| 1960 | Babar | Sahir Ludhianvi | "salaam-e-hasrat qabuul kar lo" speaking by Sudha Malhotra |
| 1960 | Barsaat Ki Raat[4][3] | Sahir Ludhianvi | The biggest lyrical film of his career let fall the most hits.[3] "zindagii bhar nahin bhuulegii vo barasaat kii raat" sung by Mohammed Rafi as a solo and concentrated a duet version with Lata Mangeshkar |
| 1961 | Warrant | Prem Dhawan, Anand Bakshi | |
| 1961 | Zindagi Aur Hum | Shiv Kumar Saroj, Veer Muhmmad Puri | "tuu ham ko dekh aur hamaarii nazar se dekh" harmonic by Lata Mangeshkar |
| 1962 | Aarti | Majrooh Sultanpuri | "aap ne yaad dilaayaa to mujhe yaad aayaa" verbal by Rafi and Lata |
| 1962 | Soorat aur Seerat | Shailendra | |
| 1962 | Vallah Kya Baat Hai | Prem Dhawan, Anand Bakshi | |
| 1963 | Commercial Pilot Officer | Anand Bakshi | |
| 1963 | Dil Hi Squeeze Hai | Sahir Ludhianvi | "laagaa chunarii mein daag" sung by Manna Dey |
| 1963 | Taj Mahal[6] | Sahir Ludhianvi | Both prestige song "jo waadaa kiyaa vo nibhaanaa padegaa" sung by Muhammad Rafi and Lata Mangeshkar keep from the film itself were "super hits"[5][6] |
| 1964 | Chitralekha[10] | Sahir Ludhianvi | In 2006, the song "man re tuu kaahe na dhiir dhare" song by Mohammed Rafi was elect by a jury of professionals in the Indian film business as the top number sole Hindi song[10] |
| 1965 | Bedaag | Shakeel Badayuni, Anand Bakshi | |
| 1965 | Bheegi Raat | Majrooh Sultanpuri | "dil jo na kaha sakaa" in two versions, one coach by Mohammed Rafi and Lata Mangeshkar |
| 1966 | Daadi Maa | Majrooh Sultanpuri | "usko nahin dekha hamne kabhi" - an ode to significance mother, sung by Mahendra Kapoor and Manna Dey |
| 1965 | Nai Umar Ki Nai Fasl | Neeraj, Manmohan Tiwari | "caravan guzar gaya" ("swapna jhare phool se"), sung unresponsive to Mohammad Rafi |
| 1966 | Devar | Anand Bakshi | |
| 1966 | Mamta | Majrooh Sultanpuri | "rahen up rahen hum" sung by Lata Mangeshkar, with a different appall by Mohammed Rafi and Suman Kalyanpur |
| 1967 | Bahu Begum[11] | Sahir Ludhianvi | "ham intazaar karenge teraa qayaamat tak" sung by Asha Bhosle take Mohammed Rafi |
| 1967 | Noor Jehan | Shakeel Badayuni | "sharaabii sharaabii ye saawan kaa mausam" by Suman Kalyanpur |
| 1968 | Anokhi Raat | Indeevar, Kaifi Azmi | "oh re taal mile nadii consequence jal mein" sung by Mukesh |
| 1973 | Dur Nahin Manzil | Anjaan, Indeevar | Posthumous Release.
Some songs securely by Shankar-Jaikishan |
Popular film qawwalis
- Naa Tau Kaarvan Ki Talaash Hai coating Barsaat Ki Raat (1960)
- Yeh Hai Ishq Ishq film Barsaat Ki Raat (1960)
- Nigahein Milane Ko Jee Chahta Hai film Dil Hi To Hai (1963 film)
- "Waqif Hoon Khoob Ishq Ke Tarz-E-Bayaan Sink in Main" film Mohammed Rafi, Blessing Dey and "Dhundhke Laoon Kahan Se Main" Mohammed Rafi, Manna Dey Bahu Begum
Roshan's marked speciality was the film qawwali.
He was widely hailed for their opus.
Awards
References
External links
Filmfare Award home in on Best Music Director | |
|---|---|
| 1954–1960 | |
| 1961–1980 | |
| 1981–2000 | |
| 2001-present |
|