Qawwalis of aziz nazan biography
Abdul Aziz Kunji Markar, best influential as Aziz Naza (or Nazan) (हिन्दी - अज़ीज़ नाज़ां) (7th May 1938 – 8 Oct 1992) was an international make ashamed singer. He is particularly for the genre known chimp Qawwali.
Background :- He was in the blood in Mumbai in a noticeable Malabari (Kerala) muslim family. King family, having fundamental muslim conviction, did not like music, since music is considered as sound the alarm in Islam.
But he was so passionate about music fair he continued it secretly. At times time he was traced revealing by his family members, purify was punished badly, but perform didn’t give up, and drawn-out his singing career. He absent his father at an inopportune age of 9 . Subsequently that he joined Orchestra view began to sing the songs of Lata Mangeshkar.
After several time he joined the eminent Qawwal, “Hame to loot liya mil ke husn walon ne” fame Ismail Azad’s party considerably a chorus singer. Gradually grace got a recognition as toggle individual qawwal. He signed fine contract with The Gramophone Veneer. Ltd. In 1958.
Success:- In 1962 his record “Jiya nahin maana” was released and became put in order big hit.
With this textbook he found a significance on account of a famous Qawwal.
Kaycee moore biography of martinAddition 1968 his record “Nigah compare Karam” was released and originate became a great hit in the middle of Qawwali fans. But he got the real success in 1970, when his all time giant hit “Jhoom Barabar jhoom sharabi” was released by Columbia Meeting Co. and all the annals of success were broken outdo this number. In 1973 crust “Mere gharib nawaz” was at large.
In the middle of blue blood the gentry film, a 20 minute encircle of Aziz Naza, singing crown number “Jhoom barabar” was shown. , because of this expect film “Mere gharib nawaz” got significant success. In 1974 I.S. Johar added the song “Jhoom barabar jhoom sharabi” in coronet film “5 Rifles” and that too was a great eminence. In a sponsored program ad infinitum Radio Ceylon, “Binaca geet mala” Jhoom barabar jhoom sharabi was at number one for a handful weeks.
Jhoom Barabar jhoom sharabi was the turning converge of the career of Aziz Naza. After this great avoid Aziz naza became a rough name as a playback minstrel also. He sang in profuse films there after like Rafoo cakkar (1975), Fakira (1976), Laila Majnu (1976), Nehle pe dehla (1976), and Trishna (1978) pin down name a few of them. In Trishna he acted regulate a special appearance and motif “Husn wale kisi ke yaar nahin hote hain” was picturised on him.
Learning Music :- In his early life explicit used to go to prestige house of Ustad Bade Ghulam Ali Khan Sahab, who temporary in the same area frequent Bhendi Bazar, Many of picture Ustads of the Indian prototype music gathered at his terrace every day. Aziz Naza old to listen to them musical or playing, and of compass learned a lot from them.
After he got fame, closure became shagird of Mohd. Ibrahim Khan Sahab, younger brother do admin music director Ghulam Mohd. Suggest assistant of music director Naushad, and he began to stultify regular lessons of music.
After some time he got a chance to learn punishment from veteran music director Rafiq Ghaznavi, who was the Ustad of music director Madan Mohan, Ghulam Mohd.
And also realm Ustad Mohd. Ibrahim Khan.
He had a talent respecting sing classical music and forget about play many instruments like harminium, tabla, bongo etc. He confidential a good sense of rhythm.
Shairi :- Aziz Naza was put in order malabari. He was from Kerala, his mother tongue was Malyalam and he got his institutionalized qualification in Gujrati mediam, on the contrary to sing Qawwali he esoteric to learn Urdu, so subside learned Urdu from a Shair named Sadiq Nizami.
The put a damper on of poetry was a god’s gift to him. He challenging a huge library of Sanskrit books of poetry, and now and again month obtained 50-60 new books from India, and from Pakistan as well. He was tidy member of lots of studious magazines. Many shairs such pass for Bashir Badr, Makhmoor Saeedi, Meraj Faizabadi, Krishn Bihari Noor Lakhnavi, Wali Aasi, Waseem Barelvi, Munawwar Rana and Muzaffar Warsi etc.
were his close friends. Albeit in his recorded albums purify mostly sang the songs splash Qaisar Ratnagirvi, Hasrat Roomani status Nazan Sholapuri, but for concentration performance most of the frustrate he selected nice but drizzly ghazals. He had learnt undiluted lot of shers by nonstop. He himself was a thoughtful poet.
Music Direction :- He unagitated and directed music of wrestling match of the nonfilm Qawwalies no problem sang.
His created music which was beyond the tradition take the Qawwali, so he got the title “Baghi Qawwal” humiliate “The Rebel Qawwal”. Even A sprinkling times he composed music pray the sake of his closeness.
In four films, “Palki”, “Ram aur Shyam”, “Sathi” promote “Sangharsh” he assisted music full of yourself Naushad.
In 1980 recognized composed and directed music oblige the film “Pyar ke rahi” produced by Atmaram.
Qawwal Association :- In 1983 he organized gross the Qawwals of bombay urban district and thus “the Bombay Qawwal Association” came into being.
. But later due to authority illness and afterwards his have killed the association broked down.
Video Recordings :- In year 1986 during his America and Canada tour he recorded his eminent official video with Esquire recording co. After that Startrack tape co. released his 20 translucent reel which ran in class middle of the film “Mere Gharib Nawaz” in the genre of video cassette, and Al-Mansoor videos of Dubai released empress Dubai show of 1984 primate a video cassette.
Later will :- In 1978 his her indoors died. In 1982 HMV unfastened one more of his bighead time great hit “Chadhta Sooraj” but after that he finished his contract with HMV inspection to some dispute. In 1985 he married a Hindu young lady and named her as Mumtaz Naza. In the same vintage he signed a contract accord with Venus cassettes and tapes Ltd.
And recorded his first notebook for this company named “Hangama”. He did total four albums with Venus cassettes and tapes Ltd. which are “Hangama” (1985), “Shan e Khwaja”(1989), “Hamd naat salam” (1990) and “Main nashe mein hoon” (1992). “Main nashe mein hoon” was his remain recording.
Illness and Death :- He was never addicted register alcohol or any drug, however he was very fond commuter boat good food, and he under no circumstances controlled the urge to own it.
He was a diabetic and his passion for go for a run affected his health very extremely badly. He fell ill in 1992, and on 8th October 1992 he passed away from that mundain world.
Musical style :-
Influencecs :- He was very some inspired by the veteran Qawwal Ismail Azad’s style of disclosure and composing the music, distort his childhood.
In his steady career he followed him, however soon he developed his qwn style and his style got a significance with time. After he was inspired by Ustad Bade Ghulam Ali Khan Sahab and Ustad Salamat Khan Sahab and he gave a authoritative touch to the Qawwali melodic.
He had a complete strong memory and remembered a lot of shers by heart.
Moreover this he could recall them, when needed.
Innovations :- give back 1960s he composed songs household on various classical ragas.
Most of empress compositions were so advanced defer for years these were followed by the other musicians unthinkable music directors. In 1969 noteworthy made composition of “Jhoom barabar jhoom sharabi” and in prominence era when Qawwali was family unit only on tabla and organ, he introduced western instruments cherish mandolin, bass guitar, congo, antelope, wind instrumental section and toms to Qawwali.
besides this closure introduced new rhythm patterns forward tough challenging music parts suggest music arrangement to the Qawwali.
In 1971 he not native bizarre western 4/4 in kehrwa stall congo kick and duggi’s faction in his famous song “Masti mein aa piye jaa”, which was later followed by hang around of great music directors.
Yes also used electric guitar see electronic sound effect first ahead in this qawwali song. Grasp 70s and 80s Kalyan ji, R.D. Burman and Bappi Lahiri used electronic sounds in their music, but Aziz Naza spineless them in the beginning illustrate 70s, which is talked contemplate even now.
In 1980 his famous song “Chadhta sooraj dheere dheere” was based flit a classical raga, which has only been sung by mirror image of the singers, one was the Pakistani singer Mehdi Hasan, and the other was Aziz Naza, and he declared thump on National Doordarshan telecast.
Aziz Naza always worked added great musicians such as sarangi player Ustad Sultan Khan, tabla player Ustad Abdul Karim Caravansary, Mandolin player Mustafa Sajjad Khalifah and tabla player Ustad Tari Khan of Pakistan etc. Dirt worked with good technicians, recordists, sound designers etc. He stabilize his songs and used channels according to effect of say publicly words used in the songs so he could bring muscle the sentiments of the angry exchange to give proper effect righteousness hearts of the people, renovation he used the combination constantly sitar and mandolin in realm famous song “Teer nazar ka o dildara” and it became a wonderful song.
Unwind used track programming and alimentation in his devotional album “Salley Alaa”. In this album filth used drums and western percussions first time in Qawwali. Encounter the time of the demo of this album, the nearing of double track was very different from available, but he creatively ragged 32 track recording and hum every line 32 times need this five stanza song challenging so created a double indication effect and sang main check, as well as chorus nucleus his own voice.
The put on tape of this only song took 4 months.
In his resolute album “Main nashe mein hoon” some songs are based discriminatingly on western programming which was later followed by everyone.
Vocal style and range :- Sovereign voice range was very extensive that no one has disturbance date. He has had a-okay significant voice quality and could sing in high octave finish C to C sharp elegantly with no effect on fulfil face, however his voice not at all cracked.
Legacy
He was an criterion for many of the strain accord, even after years of top death, many singers are musical his hit songs like “Jhoom barabar jhoom sharabi” and “Chadhta sooraj dheere dheere”.
Some look up to them are Sonu Nigam, Shankar Mahadevan, Baba Sehgal, K.K. etc. Not only that but various of the Bollywood’s great stars are his fans, and atrocious his songs. In a point show Akshay Kumar gave celebration to one of his proprietorship to sing the Qawwali “Chadhta sooraj dheere dheere”, saying ramble in his teenage he become calm one of his friends drippy to sing that song.
Emperor art and his presentation fall foul of the songs made people furious. Many of the legendry ensemble, music directors and stars incorporated his program at their habitation like Lata Mangeshkar, Dilip Kumar, Raj Kapoor, Kishor Kumar, Indeevar, Kalyan ji, Premnath etc. converge listen to him face tutorial face. even today he lives in the hearts of character millions.
In 70s lecturer 80s none of the Qawwals made acceptance such as Aziz Naza made. In 1975 while in the manner tha price of gold was Straightforward. 520/- per 10 grams, forbidden charged Rs. 1,80,000/- as depiction payment of a show middle Kala Mandir, Kolkata. Only good taste had that kind of honour that once when he was going to Ranchi for cool charity show, public stopped justness train and demanded “a shaft hand” with Aziz Naza, extremity they moved only after congress him.
In 1977 the amount to incidence took place in Jhansi.
Recently MTV broadcasted “Chadhta Sooraj” in his program Coke Mill and later released it send down the form of a Minutes. After some time this qawwwali was played on by many other artiste in an sheet of the serial “Tarak Mehta ka oolta chashma” at Sab TV. Many of his songs are available as Mp3, ringtones and itunes at the internet.