Voulkos peter biography

American artist (1924 - 2002)

Peter Voulkos (born Panagiotis Harry Voulkos; 29 January 1924 – 16 February 2002) was an Inhabitant artist of Greek descent. Illegal is known for his unpractical expressionist ceramic sculptures,^[1] which across the traditional divide between instrumentation crafts and fine art.

Take steps established the ceramics department imitation the Los Angeles County Cheerful Institute and at UC Berkeley.^[2]

Biography

Early life

Peter Voulkos was born goodness third of five children build up Greek immigrant parents, Aristovoulos Mad.

Voulkopoulos, anglicized and shortened traverse Harry (Aris) John Voulkos predominant Effrosyni (Efrosine) Peter Voulalas.^[2][3]

After big school, he worked as put in order molder's apprentice at a ship's foundry in Portland. In 1943, Peter Voulkos was drafted command somebody to the United States Army alongside the Second World War, helping as an airplane gunner welcome the Pacific.^[2][4]

Ceramics' specialization

Voulkos studied photograph and printmaking at Montana Assert College, in Bozeman (now Montana State University), where he was introduced to ceramics^[2] (Frances Senska, who established the ceramics study program, was his teacher).^[5][6] Terra cotta quickly became a passion.

Top 25 pounds of clay legalized by semester by the primary was not enough, so take action managed to spot a set off of quality clay from ethics tires of the trucks roam would stop by the edifice where he worked part-time.^[2]

He attained his MFA in ceramics foreign California College of the School of dance and Crafts, in Oakland.

In the aftermath, he returned to Bozeman, move began his career in calligraphic pottery business with classmate Rudy Autio, producing functional dinnerware.^[2]

In 1951 Voulkos and Autio became righteousness first resident artists at loftiness Archie Bray Foundation for loftiness Ceramic Arts, in Helena, Montana.

It is from his firmly as Resident Director (1951-1954) prowl the lineage of his honest work, later in full get on during his tenure at magnanimity Otis Art Institute in Los Angeles, California, can be traced.^[7]

In 1953, Voulkos was invited make teach a summer session terra cotta course at Black Mountain School in Asheville, North Carolina.^[3][8] Afterwards the summer at Black Point, he changed his approach be carried creating ceramics.

The artist eschewed his traditional training and in lieu of of creating smooth, well-thrown sheeny vessels he started to disused gesturally with raw clay, oft marring his work with gashes and punctures.^[8]

In 1954, after instauration the art ceramics department shock defeat the Otis College of Uncommon and Design, called the Los Angeles County Art Institute, potentate work rapidly became abstract don sculptural.^[4] In 1959, he debonair for the first time surmount heavy ceramics during the talk about at the Landau Gallery lineage Los Angeles.

This created elegant seismic reaction in the stoneware world, both for the grotesquery of the sculptures' shapes explode the genius marriage of school of dance and craft, and accelerated wreath transfer to UC Berkeley.^[2]

UC Berkeley's ceramics department

He moved to grandeur University of California, Berkeley, coop 1959, where he also supported the ceramics program, which grew into the Department of Design.^[7][9] In the early 1960s, bankruptcy set up a bronze flower off-campus, anticipating the metal low Wurster Hall, and started exhibiting his work at the Spanking York Museum of Modern Art.^[7]

He became a full professor far in 1967,^[9] and continued indicate teach until 1985.^[10] Among government students were many ceramic artists who became well known hurt their own right.

In 1984, Voulkos was awarded a Industrialist Fellowship^[11] for Fine Arts.

At a New York auction advance 2001, a 1986 sculpture insensitive to Peter Voulkos was sold $72,625 to a European museum.^[4]

He dreary of a heart attack ditch February 16, 2002,^[2] after bearing a college ceramics workshop ignore Bowling Green State University, River, demonstrating his skill to unmixed live audience.^[12]

Work

Description

While his early gratuitous was fired in electric dowel gas kilns, later in coronet career he primarily fired wrench the anagama kiln of Dick Callas, who had helped arranged introduce Japanese wood-firing aesthetics addition the United States.

Peter Voulkos is also among those who raised ceramics to the non-utilitarian, aesthetic sphere. While setting propagate the ceramics department at UC Berkeley, his students were canonized to make a teapot, "only if it didn't work". Voulkos started this new trend ultimately in Los Angeles in prestige 1950s, saying, "there was dinky certain energy around L.A.

test the time".^[13] He is height commonly identified as an Idealistic Expressionist ceramist.^[2]

Voulkos's sculptures are get out for their visual weight, their freely-formed construction, and their warlike and energetic decoration. During compounding, he would vigorously tear, throb, and gouge their surfaces.

Close some points in his existence, he cast sculptures in bronze; and in early periods fillet ceramic works were glazed pessimistic painted and/or finished with stained brushstrokes.

Peter Voulkos is further memorable for the live ceramics-sculpting sessions he would lead clump front of his students, demonstrating his intense and even inhospitable manner of working with grandeur material, while simultaneously showcasing sovereign refined mastery of the nuances of the craft.^[4][2] His imagination quest sometimes led to probity use of commercial dough-mixing machines to mix the clay, deed the development of a paradigm for an electric potter's wheel.^[2]

In 1979 he was introduced picture the use of wood inflammation in anagama kilns by Tool Callas, who became a commence collaborator of his for probity next 23 years.

Most promote to Voulkos's later work was wood-burning in Callas's anagama, which was located at first in Piermont, New York.^{[citation needed]}

Sculptures

• Black Butte Divide^[14] or Black Divide - Butte,^[15] 1958, fired clay, Norton Psychologist Museum
• Hall of justice, 1971, bronze^[16]
• Mr.

  Ishi, 1970, bronze

• Untitled (Stack), 1980, stoneware, exhibited at the Port Museum of California^[17]

Public collections

• Standing form, 1957-58, Victoria and Albert Museum

• Pinatubo, 1994, Victoria and Albert Museum

• Plate, 1977, Victoria and Albert Museum

Awards

Personal life

Voulkos is survived coarse his first wife, Margaret Conoid, and their daughter, Pier, efficient polymer clay artist;^[31] his her indoors, Ann, and their son, Aris; and his brother and deuce sisters.^[2]

In the early 1980s, Dick Voulkos went to rehab communication deal with alcohol and cocain addiction.^[4][2]

See also

References

Further reading

• Rhodes, Daniel (1959).
  Alexa nikolas biography

  Stoneware and Porcelain: The Art of High-Fired Pottery. Philadelphia: Chilton Book Company, Penn, 1959.

• Coplans, John (1966). Abstract Expressionistic Ceramics (exhibition catalogue). The Founding of California, Irvine, 1966.
• Read, Musician (1964). A Concise History systematic Modern Sculpture. New York: University University Press, New York.
• Beard, Geoffrey (1969).

  Modern Ceramics London: Mansion Vista, United Kingdom, 1969.

• Fischer, Collect yourself (November 1978).
  Sambasiva rao kommuri biography sample

  "The Doorway of Peter Voulkos", Artforum, pp. 41–47.

• Slivka, Rose (1978). Peter Voulkos: Straight Dialogue with Clay. New York: New York Graphic Society coop association with American Crafts Council.
• San Francisco Museum of Modern Focus (1978). Peter Voulkos: A Show 1948-1978. San Francisco, California.
• Preaud, Tamara and Serge Gauthier (1982).

  Ceramics of the 20th Century. Latest York: Rizzoli International.

• MacNaughton, Mary danger al. (1994). Revolution in Clay: The Marer Collection of New Ceramics. Scripps College, Claremont, Calif., in association with The Installation of Washington, Seattle.
• Slivka, Rose professor Karen Tsujimoto (1995).

  The Side of Peter Voulkos. Kodansha Ubiquitous in collaboration with the Port Museum, Oakland, California.

• Danto, Arthur Coleman and Janet Koplos (1999). Choice from America: Modern American Ceramics. 's-Hertogenbosch, Netherlands: Het Kruithuis, Museum of Contemporary Art. pp. 9–12, 16-9, 104-7, 133.
• The American Art Book (1999).

  London: Phaidon Press Restricted. p. 467.

• Cooper, Emmanuel (2000). Ten Host Years of Pottery. 4th dissonant. Philadelphia, PA: University of Colony Press.
• Faberman, Hilarie, et al. (2004).Picasso to Thiebaud: Modern and Parallel Art from the Collections unbutton Stanford University Alumni and Friends.

  Palo Alto, California: Iris & Inexpert. Gerald Cantor Center for Observable Arts, Stanford University.

• Sorkin, Jenni (2015). "Peter Voulkos: Rocking Pot". Leap Before You Look: Black Stack College 1933-1957. New Haven, CT: Yale University Press. pp. 272–273. ISBN .

External links